|
Note
In 1928, Dilip decided to live permanently in the ashram at Pondicherry. That was two years after Sri Aurobindo's
complete withdrawal from public life, and from direct contact with his disciples: they could see him only three times a year (four later on) for a brief darshan, while Mother looked after the whole material aspect of life in the ashram and took direct charge of the disciples.
But they could also write letters to Sri Aurobindo. And write they did, often daily. With inexhaustible patience, Sri Aurobindo would soon spend most of his nights answering every one of them, explaining his Yoga, guiding them in their inner life, encouraging them to overcome doubt, depression, even revolt, and, with the poetically inclined, teaching them the craft, commenting upon and often correcting their poems, and prodding them to use poetry as a means to explore the inner worlds and open themselves to higher realms of consciousness.
That was the case with Dilip too, as these three volumes of correspondence will make clear. The disciple's letter would usually reach the Master sometime in the evening, and by the next morning (the "return post," as Sri Aurobindo would call it), the response would generally be delivered.
Sri Aurobindo's answers might be in the shape of a few marginal comments on the disciple's letter, scribbled notes on small slips of paper, or longer explanations on full sheets. Only the relevant portion of the disciple's letter would usually be returned, which explains why most of Dilip's letters are missing or incomplete. Regrettable as this may be, their tone and content can often be guessed from Sri Aurobindo's answers.
The reader may remember seeing excerpts from a few in the published volumes of Sri Aurobindo's correspondence, such as
Page - 17
Letters on Yoga or On Himself, not to mention Dilip's own
books such as Sri Aurobindo Came to Me or Among the Great.
However, as far as possible, they are complete here: these three
volumes contain all the letters that could be found in Dilip's papers (barring a few of a minor nature) and his published
works (in English or Bengali). Much of the present material is
therefore published here for the first time.
Sri Aurobindo's handwriting was often, as he
himself readily acknowledged, next to indecipherable.1 (This must however
be largely put down to the speed with which he wrote.) All the
letters in these volumes have therefore been carefully checked
against the original manuscript whenever it was available. Errors may remain, but we trust they will be rare and not too
important; doubtful readings or illegible words have been
indicated with question marks within brackets. As far as possible, we have tried to follow standard diacritical conventions
for Sanskrit and Bengali words (except for those that are commonly used).
This first volume includes correspondence from the time of
Dilip's arrival at Sri Aurobindo's ashram in 1928 up to the year1933; vol. 2 will cover 1934 to 1936, and vol. 3 1937 to 1951.Altogether, almost 1,000 letters from Sri Aurobindo and 70
from Mother.
The editors are greatly indebted to Patrice Marot for his help in assembling the material; to Maryse Prat for her careful deciphering and typing of the entire correspondence; and to Mr. Pramod Kumar for his revision of the manuscript.
M. D.
________________________________
1. Sri Aurobindo once wrote to Nirod (on 2 November
1938): "It is altogether irrational to expect me to read my own writing—I write for others
to read, not for myself—it is their business to puzzle out the words."
Page - 18
Dilip Kumara Roy
Some Biographical Notes
|
22 Jan. 1897 |
- Born at 203/1/1 Cornwallis street, Calcutta (his
maternal uncle's house), in a cultured Bengali family |
|
Father
 |
- Dwijendralal Roy (19 July, 1863- 17 May, 1913).
A dramatist, composer, singer and nationalist with
a degree in agriculture from England. Although his mother was a direct
descendant of Advaita Goswami of Shantipur, a staunch disciple of Sri Chaitanya
( fifteen-sixteen centuries AD), D. L. Roy himself was a rationalist.
During his tenure as Deputy Magistrate he dared to tell the Lt. Governor of
Bengal that the latter was not an expert in the laws of land survey. The
result ? He was never granted promotion from his post in spite of his
proficiency. That he was not altogether dismissed from service was because
of his superior who gave a report that "Mr. Roy is a monument of industry and
ability"; while another Englishman told the Lt. Governor, " I think Mr. Roy is
right." Courage and honesty were ingrained in him. His watchword was
truth. |
Page – 19
|
Mother |
Surabala Devi, daughter of P. C. Majumdar.
She was beautiful like a daughter of heaven as her name implies. Dwijendralal loved her so much that he never looked at another woman when his
wife died at the age of twenty - seven (on 29 Nov. 1903); he brought up his
children fulfillilng both the roles of father and mother. |
 |
|
Paternal
grandfather
|
- Pratap Chandra Majumdar (1851 - 1922). A self-made
man, he founded a school of homoeopathy and a hospital at Calcutta (which
continue to function to this day). As a homoeopath, he treated Sri Ramkrishna Paramahamsa during his last illness of throat cancer. He held Iswar Chandra Vidyasagar in high esteem, with whose encouragement he married
Barahini Devi, when she was twelve years old; she had been widowed at the age of
eight.
|
|
Maternal
grandfather
 |
- Kartikeya Chandra Roy (1820 - 85) Dewan of
Krishnanagar. A man of character and honesty, he was also a musician and
composer, his book Geetamanjari was published in 1875.
Dilip as a child
(detail of a group photograph)
|
Page – 20
|
1908 |
D. L. Roy built Suradham. Dilip Kumar Roy's
spiritual quest started in this house. |
|
1908-1909 |
Nirmalendu Lahiri, his cousin and devout follower of Sri Ramakrishna Paramahamsa, took
him to Sri 'M' (Sri Mahendranath Gupta), who
had kept a day-to-day record of Sri Ramakrishna's
sayings, later published as Ramakrishna Kath-amrita in Bengali (translated into English as The
Gospel of Sri Ramakrishna, 1922). Dilip was deeply fascinated by Sri
Ramakrishna's personality,
installed him in his heart as his Guru and loved
him deeply. He wrote, "Faith suddenly descended
into me—the Mother's grace through the soul-
stirring message of her beloved son, the great
Messiah Sri Ramakrishna." |
|
17 May 1913 |
Sudden demise of his father Dwijendralal Roy,
owing to apoplexy.
|
|
1913 |
Passed matriculation examination with scholarship,
scoring high marks in Sanskrit and mathematics. Joined
Presidency College and took up science. Met Subhash Chandra Bose; a lasting
and intimate friendship developed.
|
|
1918 |
Passed BSc with first class Honours in mathematics.
|
|
1919 |
Left for England to pursue further studies at
Cambridge. Subhash Chandra Bose joined him subsequently.
|
|
July, 1920 |
Met Romain Rolland in Switzerland and sang before
him; Romain Rolland praised his music.
|
|
1920-1921 |
Passed Part I mathematical tripos and Part I music special in Cambridge.
|
|
1921 |
Extremely impressionable, he took up one line after
another, studied LLB to become a barrister,
deposited fees for CA. Meanwhile, Rabindranath
Tagore urged him to take up music as a career; Subhash and Rolland added their weight to this
suggestion. Dilip wrote, "Rolland finally persuaded me to direct all my energies to the cultivation of a musical career." Learnt French, German,
Italian and a little of Russian.
|
|
1922 |
Went to Germany to study Western music. Lectured
|
Page – 21

At Cambridge: (standing ) Khitish Chandra Chatterjee
and Subhash Chandra Bose; (seated ) Dilip Kumar Roy and C. C. Desai
Page – 22
|
|
at an international conference at Lugano, Switzerland, attended by world celebrities like Bertrand
Russell, Remain Rolland, Hermann Hesse, Georges
Duhamel and others. Met President Masaryk of
Czechoslovakia. Toured Vienna, Prague, Buda-
pest, etc. to speak on Indian music and culture,
including Sanskrit.
|
|
Nov. 1922 |
Returned to India and went on a tour studying
Indian music from classical masters like Abdul Karim, Faiz Khan, Chandan Chaube, Pandit Bhatkhande, Gaurishankar Mishra, Surendranath
Majumdar, Hafiz Ali Khan and others. Wrote a
book in Bengali on Indian music, Bhramyamaner
Dina Panjika (Diary of a Musical Rover) which
won him instant fame in Bengal.
|
|
1922 |
Met Ronald Nixon, a professor at Lucknow
University, who introduced Dilip to Sri Aurobindo, asking him to read Essays on the Gita; he later came to be known as Yogi Sri Krishnaprem, whose Guru was Yashoda Maa (wife of the then
vice-chancellor of Lucknow University). A lifelong friendship ensued, and their correspondence continued till Krishnaprem's passing away
in 1965.
Their 1922 meeting took place at the residence of Atul Prasad Sen, a leading barrister of Lucknow,
a musician and lyricist, whose music became
popular in Bengal through Dilip.
|
|
1922-23 |
Became very popular as a musician and a composer.
Started teaching music and giving charity concerts with
his students at Rammohan Library
in Calcutta.
|
|
24 Jan. 1924 |
Two days after his 27th birthday, Dilip met Sri
Aurobindo at Pondicherry.
|
|
1925 |
Got an offer from Pt. Madan Mohan Malaviya to
hold the chair of music at the Banaras Hindu University, and an invitation to become the director
of All India Radio. Declined both offers.
|
|
1927 |
Received an invitation from the Edison Company of
America to make his first long-playing disc.
|
Page – 23
|
Subhash Chandra Bose arranged a felicitation
programme at the Rammohan Library, where
Poet Rabindranath and novelist Sarat Chandra
Chatterjee came to bless him. Toured Europe
giving lectures on music. At Nice (France), he met
Madame Calve, a famous prima donna who had
found solace in Swami Vivekananda, and the
philosopher Paul Richard, who gave him a final
impetus towards Sri Aurobindo; a profound
feeling of vairāgya gripped him and he returned
to India cancelling his journey to the USA.
|
|
22 Nov. 1928 |
Beginning of his stay at the Pondicherry ashram.
Overcoming all his vacillation, he surrendered
himself to Sri Aurobindo and the Mother. He wrote to
Sri Aurobindo, "I surrender unconditionally to you all I have and am. You must accept
me."
|
|
1937 |
A brief visit to Calcutta after nine years. Met Uma
Bose who had an enchanting voice, and taught
her music.
|
|
1938 |
On invitation from the Calcutta University and the
Director of public instruction, Dilip wrote
Geetashree for the music syllabus of Calcutta
University, with notations and technical details of
Hindustani music. Another book, Sangitikee,
gave a historical account of classical and folk
music of Northern India. Both books were pre-
scribed texts of the Calcutta University. |
|
22 Jan. 1942 |
Uma Bose passed away, leaving a vacuum in Bengali music. Her untimely death was a great loss
for Dilip but his musical and literary creativity
never ceased.
|
|
7 Oct. 1946 |
Met Janak Kumari (later known as Smt. Indira
Devi) at Jabbalpur. Also met M. S. Subbulakshmi
and taught her Mira bhajans for the film Mirabai.
(Later, in 1971, M. S. came to Hari Krishna Mandir
to learn songs, mainly Indira Devi's Mira bhajans
and Dilip's Bengali songs.)
|
|
22 Jan. 1947 |
Bengal celebrated Dilip's 50th birthday, acknowledging the versatility of his genius as a poet,
|
Page – 24

Dilip at the age of twenty - seven
Page – 25
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thinker, novelist, musician and mystic, and presenting him with a purse for the Ashram and a
set of annotated Srimad Bhagavatam. Later on he
wrote two masterpieces, Bhagavati Katha and
Immortals of the Bhagavat.
|
|
21 Feb. 1949 |
On Mother's birthday, Indira Devi came to
Pondicherry for darshan. After darshan she went
into bhāva samādhi at Dilip's place while he was
singing. Sri Aurobindo endorsed it as genuine
and wrote that the Samadhi was of savikalpa type
and she was ready for the yoga. Ultimately with
Sri Aurobindo's and Mother's blessings, Dilip
gave her initiation. She started hearing in trance
Hindi songs sung by Mirabai, and the songs were
documented. This phenomenon was authenticated by Sri Aurobindo and continued as long
as
Indira Devi was alive.
|
|
5 Dec. 1950
|
Sri Aurobindo's passing away shattered Dilip's
world.
|
|
1 Oct. 1951
|
Dilip heard himself Mirabai's voice for the first
time. He maintained a diary chronicling his conversations with her, a part of which was later
published by his ashram in Indiranjali vol.
1,
regarding the advent of Mira. During this time he
took a vow of akash vritti, depending completely
on the Divine for sustenance.
|
|
Jan.1953
|
Went on a world tour with Indira Devi as cultural
and spiritual ambassador of India, sponsored by
the Indian government, and met a number of world
celebrities. The complete account of his tour
was written in Deshe Deshe Chali Udey a
travelogue in Bengali.
|
|
1954
|
Though in deep financial crisis, he declined an
offer for the post of Arts Director of Annamalai
University by Sir C. P. Ramaswamy Aiyar and
went to Pune to stay in a dilapidated bungalow
called "Dunlavin Cottage" of Sir Chunilal Mehta.
|
|
1957 |
Sixtieth birthday celebrated in Calcutta. A Golden
Book was presented to him by his numerous
friends and admirers containing articles, poems
|
Page – 26
|
and letters appraising his literary, musical and
spiritual attainments by men of eminence including
such contributors as Mahatma Gandhi, Romain
Holland, Rabindranath Tagore, Aldous Huxley,
Pandit Nehru, S. Radhakrishnan, Netaji Subhash
Chandra Bose and others.
Papa Ramdas and Mother Krishnabai visited
Dilip's ashram, found him and Indira Devi completely absorbed in intense sadhana and blessed
them. |
|
25 April 1958 |
At Khandala, he had a beautiful vision of Sri
Aurobindo, about which he wrote: My incomparable Gurudev who came to us here this morning
in person. What can science and agnostic reason
know of such occult secrecies ?"
|
|
18 Jan. 1959 |
Dilip shifted his Ashram to the present premises in Pune.
|
|
1961
|
He delivered his famous lecture "Parama Sanskriti"
in Bengali and sang at Tagore's centenary celebration at Marcus Square in Calcutta.
|
|
1951-1979 |
In this productive phase of Dilip's life, he was
honoured with numerous titles, such as: Sur-
Sudhakar from Sanskrit Collage, Calcutta; Fellow
of Sangeet Natak Academy; DLitt from Calcutta
and Rabindra Bharati Universities; president of
Akhil Bharatiya Banga Sanskriti Samelan, Chandigarh. Many saints and celebrities visited his
Ashram, including Sri Sri Anandamayee Maa,
Srimat Anirvan, Swami Brahmananda of Uttarkashi, Maha Mahopadhya Dr. Gopinath Kaviraj,
the then President Dr. S. Radhakrishnan and others and all experienced the great
peace pervading the Ashram.
|
|
17 Nov. 1973
|
Mother leaves her body.
|
|
17 Dec. 1975 |
Dilip started hearing the Lord's Flute continuously
till he breathed his last, a rare spiritual
attainment. Many of the melodies heard have
been preserved in his notation books. He
also wrote suitable songs to fit some of the
melodies.
|
|
23 Jan. 1976 |
Inaugurated the 80th birth anniversary of Netaji
|
Page – 27
|
Subhash Chandra Bose at Calcutta at Netaji
Bhavan. Dilip's own birthday was also celebrated
at Calcutta, and a felicitation volume. Varan
Malika, was presented to him.
|
|
1977 |
Delivered a memorial lecture series on Sri
Aurobindo at Pune University: 1) "Sri Aurobindo,
Minstrel of Light and Dharma"; 2) "Sri Aurobindo,
Minstrel of Faith and Love"; 3) "Sri Aurobindo,
Minstrel of Harmony and Immortality"; 4) "Sri
Aurobindo, Minstrel of Vision and Intuition."
|
|
1979
|
On 1st October he had a vision of Maa Radha Rani
at Bombay. He became unwell from 11 November. On 23 November he wrote his last poem
Antim Prarthana in his own hand. One day he
wrote in his diary, "Namah Sri Aurobindaya—
Sarvadevoh mayah guru." Till the last minute he
was alert and conscious. Once Maa Indira Devi
asked him when he was a little drowsy, if he
remembered Bhishma's hymn to Sri Krishna
from the Srimad Bhagavat; he recited the whole
hymn, in his gorgeous voice though grown weak
now, without faltering.
|
|
6 Jan. 1980 |
Dilip said in the morning, "Wash my hands, I have
to touch the Lord's feet today." The
great minstrel-saint reached the lotus
feet of the Lord.
|
Page – 28
|